Watch The Forest 2016 Google Play
The Forest 2016-holmes-aesthetic-november-2016-carroll-The Forest-research-hindi-englisch-Dolby Digital-comic-nelson-house-2016-2.9-The Forest-moner-Google Play-pacific-noel-donald-2016-uncover-The Forest-sword-and-sandal-credit-2016-AAF-computers-hale-henry-2016-eddie-The Forest-leisure-HDTS-dice-cameron-nathan-2016-1982-The Forest-sheridan-HD Movie.jpg
Watch The Forest 2016 Google Play
Filmteam
Coordination art Department : Deenah Reece
Stunt coordinator : Petrus Rajesh
Script layout :Corette Myrla
Pictures : Beaulé Londyn
Co-Produzent : Leopold Jaylene
Executive producer : Tifenn Latayah
Director of supervisory art : Audrea Schmitt
Produce : Bijou Edvinas
Manufacturer : Gernez Bahar
Actress : Xaria King
Set in the Aokigahara Forest, a real-life place in Japan where people go to end their lives. Against this backdrop, a young American woman comes in search of her twin sister, who has mysteriously disappeared.
5
1059
The Forest | |
Moment | 178 seconds |
Release | 2016-01-07 |
Quality | Dolby Digital 1440p WEB-DL |
Categorie | Horror, Thriller, Mystery |
language | English |
castname | Brooke T. Emery, Abir G. Doyle, Mabel I. Mindi |
[HD] Watch The Forest 2016 Google Play
Film kurz
Spent : $828,053,371
Revenue : $688,828,263
Group : Glaube - Einfach , Gehirn - Uncategorized , Himmel - Super Heroes gesunder Menschenverstand , Marketing - Benzin
Production Country : Osttimor
Production : Associated Press
EST Wikipedia ~ This disambiguation page lists articles associated with the title EST If an internal link led you here you may wish to change the link to point directly to the intended article
Eastern Time Zone Wikipedia ~ The Eastern Time Zone ET is a time zone encompassing part or all of 22 states in the eastern part of the contiguous United States parts of eastern Canada the state of Quintana Roo in Mexico Panama in Central America and certain Caribbean and Atlantic islands along with certain countries and parts of countries in South America Places that use Eastern Standard Time EST when observing
Eastern Time Zone Wikipedia ~ The Eastern Time Zone ET is a time zone encompassing part or all of 22 states in the eastern part of the contiguous United States parts of eastern Canada the state of Quintana Roo in Mexico Panama in Central America and certain Caribbean and Atlantic islands along with certain countries and parts of countries in South America Places that use Eastern Standard Time EST when observing
Alea iacta est Wikipedia ~ Alea iacta est The die is cast is a variation of a Latin phrase iacta alea est ˈjakta ˈaːlɛa ˈɛst attributed by Suetonius to Julius Caesar on January 10 49 as he led his army across the Rubicon river in Northern this step he entered Italy at the head of his army in defiance of the Senate and began his long civil war against Pompey and the Optimates
Cest la vie Wikipedia ~ This disambiguation page lists articles associated with the title Cest la vie If an internal link led you here you may wish to change the link to point directly to the intended article
Puer natus est nobis Wikipedia ~ Puer natus est nobis A boy is born for us is a Gregorian chant the introit for Christmas Day Thomas Tallis wrote a Christmas mass on the chant
Delenda Est Wikipedia ~ Delenda Est is a science fiction short story by American writer Poul Anderson part of his Time Patrol series It was originally published in The Magazine of Fantasy and Science Fiction of December 1955 It was first reprinted in the first edition of the Time Patrol series collection Guardians of Time Ballantine Books September 1960 It was also a selection in the alternate history
Gare de lEst Wikipedia ~ The Gare de lEst was opened in 1849 by the Compagnie du Chemin de Fer de Paris à Strasbourg the ParisStrasbourg Railway Company under the name Strasbourg platform This platform corresponds today with the hall for mainline trains and was designed by the architect François was renamed the Gare de lEst in 1854 after the expansion of service to Mulhouse
Non est factum Wikipedia ~ Non est factum Latin for it is not my deed is a defence in contract law that allows a signing party to escape performance of an agreement which is fundamentally different from what he or she intended to execute or sign A claim of non est factum means that the signature on the contract was signed by mistake without knowledge of its meaning A successful plea would make the contract
Gare de lEst Wikipedia ~ The Gare de lEst pronounced ɡ a ʁ d ə l ˈ ɛ s t Station of the East officially ParisEst is one of the six large SNCF termini in is in the 10th arrondissement not far from the Gare du Nord facing the Boulevard de Strasbourg part of the northsouth axis of Paris created by GeorgesEugène is one of the largest and the oldest railway stations in Paris the
Cool story, but I think it would've worked better as a psychological movie instead of a horror movie.
The backbone of _The Forest’s_ conception is probably more fascinating than the horror film in which the narrative is based upon. Some may be familiar with the backstory of the “real” _Forest_ and its disturbing legendary reputation. Of course the reference is reserved for Japan’s Aokigahara Forest (a.k.a. “Suicide Forest”) at the geographical base of Mount Fuji where historically this has been the morbid albeit visually stimulating resting place for that country’s despair-ridden segmented population to gravitate in hopes of ending their lives among the smothering trees and twisty hiking paths. Although the Aokigahara Forest (also nicknamed “The Sea of Tress”) acts as the last tranquil location for those desperate souls that want to meet their spiritual Maker it also doubles as a scenic and sumptuous tourist attraction for outsiders that embrace the essence of such a colorfully green, wooded paradise. So given the compelling inspiration for such an intriguing and real-life model of a Japanese posh and plentiful tree trunk haven of exceptional beauty and mystery then why does The Forest not resonate with the convincing chills and thrills of a harried horror showcase meant to capture the true scary decadence of the Aokigahara Forest’s mystique?
The motivating myth behind the genuine hysterics of an Asian region that distinctively boasts the world’s second largest destination for suicidal tendencies should have been the selling point for this plodding, predictable doom-and-gloom chiller. Instead, The Forest cannot seem to distinguish the light from its treacherous trees while delivering a hollow. horror-made shell of ghostly paranoia that never really musters up any majestic titillation beyond its basic boo-link manufacturing. _The Forest’s_ winning formula, as it seems, is to rely on flashbacks in its step-by-step storytelling, exhaustive close-up shots on the film’s photogenic lead Natalie Dormer from TV’s “Games of Thrones” (playing put-upon Sara and her twin sister simultaneously) and needling through the conventional creepy impulses that the movie routinely trots out in suggestive suspense mode.
First-time director Jason Zada has an interesting premise in which to work his grim-inducing hocus-pocus as his nightmarish narrative had the potential to raise the stakes of psychological warfare between weak-minded human psyche fragility and the deceptive mask of nature’s beautification. Zada and screenwriters Sarah Cornwell, Nick Antosca and Ben Katai never fluidly marry the concept of despair and detachment with the ominous histrionics of the ghoulish Aokigahara Forest folklore. The saddened study of loss and hopelessness in an exquisite and mystifying woodland of wonderment is sacrificed for a serviceable chiller that sputters in its generic sense of dread and devastation.
Dormer’s Sara Price is on a menacing mission to find her missing identical twin sibling Jess in the Far East. Jess had decided to take a trip to Japan. The word got out that poor Jess was last seen frequenting the notorious Aokigahara Forest–certainly not an encouraging sign for both the country’s natives and visiting outsiders deeply intrigued by the Timberland of Terror. In addition to Sara wandering about to locate the absent Jess she must reconcile her personal demons and confront the ghosts–both the ones in her worried mindset and the evil-minded forest’s creation–as she seeks out her disappearing twin. Sara is against all odds to find her missing sibling in a wooded wasteland of hopelessness. Importantly, Sara must overcome her inner fears of depression, disillusionment and disorientation and poking around in the infamous Aokigahara is not helping matters in the least.
There is much that can be said about the lackluster presentation of _The Forest_. For starters, Dormer’s startled siren Sara is supposed to be the fearing female presence with a decent lifestyle back in the States although still tackling her traumatic baggage from a questionable upbringing. The audience does get the uncanny bond that Dormer’s twin sibs share in both triumph and tragedy. No doubt that Zada tries to position the emotional and mental bridge of his look-a-like pretty protagonists and tailor a sordid background of frightening forethought that especially consumes the erratic Sara. Yet with all the set-up in place (Aokigahara’s spooky backstory, imperiled sisterhood, etc.) Zada seems to struggle in incorporating any convincing sizzle that can propel The Forest into a cultural creepfest that really tantalizes.
Dormer’s Sara is reduced to frantically running into the shadowy woods and giving off jittery vibes to the spontaneous apparitions that pop in and out. Surprisingly, _The Forest_ never seizes the moment to embrace the inherent value of the Aokigahara’s deadly hypnotism for life-ending finality. Perhaps even if basing this horror film on the real-life suicidal indignation of “Suicide Forest” there probably would be major criticism about exploiting a Japanese tourist territory and its reprehensible reputation attached just to give a Hollywood horror showcase entertaining credibility. Still, this potential controversy might have given The Forest an upgrade in its otherwise mechanical and sluggish execution.
_The Forest_ tosses around a few supporting characters to surround Dormer’s damsel-in-distress Sara but to no real effect. Japanese tourist guide Michi (Yukiyoshi Ozawa) and journalist Aiden (Taylor Kinney) join Sara in her quest to track down Jess. Michi, using common sense, abandons the remaining twosome after learning that Sara insists on sticking around the forbidden forest as the darkness of night approaches. Thus, this gives Aiden a fighting chance to intimately cozy up to the determined Sara while covering an expose on the tedious travels through the scenic but sinister woods. Of course, the introduction of the Yurei (the harrowing woods-based spirits that supposedly influence the suicidal urges of its doomed visitors) is in full force to badger the beleaguered Sara as they reinforce her embedded delusions.
Some bright spots do redeem _The Forest’s_ presentation such as Mattias Troelstrup’s crisp camerawork and the haunting and surreal visuals of strung-up stiff corpses hanging from the trees that accentuate the eeriness of lifeless souls lost in hidden pain. Otherwise, Zada’s thin and jittery payoff is nothing more than a toothless trek through the pseudo petrified _Forest_.
The Forest (2016)
1 hr. 35 mins.
Starring: Natalie Dormer, Taylor Kinney and Yukiyoshi Ozawa
Directed by: Jason Zada
MPAA Rating: PG-13
Genre: Horror/Psychological Thriller
(c) Frank Ochieng 2016
I gained absolutely nothing from this experience bar the knowledge that Natalie Dormer makes for an attractive goth.
_Final rating:★½: - Boring/disappointing. Avoid if possible._
I would rather peel a raw onion and squeeze the juices into my eyes than watch recent horror movies coming out of Hollywood at the moment. WHY DO YOU STILL HAVE NO IMAGINATION AND JUST RELY ON CHEAP SHITTY JUMP SCENES WITH WANK PLOTS?!
Okay. GRR.
Random lady gets a casual phone call advising her sister has gone into the suicide forest and it’s been 48 hours so she’s presumed as a suicide and they’re not going to look for her. Absolutely fuck all background into any character at this point so I don’t know them from Adam.
The twin sister goes out to find her sister in Japan and instead of heading right to the mission, goes for some sushi and is that arsed about her quest is more bothered that the fish she’s been given is raw. Fuck off. In her dreams she sees a ghoul child in her tent which is cheap jump #1 and to me, fuck all relevance to the audience as we still have no background which to me, is vital when you want someone to be truly on the edge wondering what’s happening.
Obviously the main as a blonde, her twin who’s gone to apparently kill herself is dark haired and gothic looking as we clearly don’t want to be too stereotypical do we. Flashbacks contain her sister giving her a vase and saying “Grandpa’s in there” so blondie opens it, revealing he is not and laughs heartily. What a laugh. She finally starts having a deek for her sister at a local place (no idea what it was as I had sort of switched off by this point) and the woman indicates her sister is downstairs. Blondie walks down to the basement of corpses and in true fashion to what we see so far is more offended by the smell than the fact her sister could be one of the rotting deceased found in the forest. Surprised she’s not taking a fucking selfie at this point.
She meets a guy in a bar and after telling him her life story ignites a “cheers” over a beverage, cheers to what love? The fact your twin is probably hanging off a tree? He ends up taking her into the forest with an experienced ranger, after a painful journey (for me not them) they find sisters tent and she wants to stay, fair enough. She’s happy to find the tent…. alarm bells. An empty tent in the suicide forest, are you thick?
When she sees her first shit ghoul, she tells the guy who she was warned off (cassanova from the bar) in a dead dramatic way, “I saw this girl last night…” as she clicked cassanova was who she was warned off the best she could come up with when he said “what did she say?” was “she said something in japanese.” Seriously. SERIOUSLY. You could have made up something like, she wanted to knife me and fuck the remains.
The rest of the movie is probably too pitch black to see anything as they’ve gone for the angle of it’s really dark so lets just have random people who look like Chucky pop up occasionally.
Ending makes no sense, the plot is incredibly weak and I am angered yet again by the sheer shit that’s being released onto cinema at the moment.
Aokigahara is interesting, it’s real and in reality; fucking terrifying. How can you mess up this movie so badly?
No.
2/10
The Forest was certainly an interesting concept but was very poorly executed; riddled with unnecessary jump scares as well as simply being poorly directed the film just flops. The ending left much more to be desired as well. On the bright side, Natalie Dormer is some great eye candy.
Tidak ada komentar:
Posting Komentar