Kamis, 03 Mei 2018

Dark Phoenix 2019 Google Play

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Watch Dark Phoenix 2019 Google Play




Movieteam

Coordination art Department : Moïse Madilyn

Stunt coordinator : Juelz Blaze

Script layout :Malinda Hanna

Pictures : Karli Ludovic
Co-Produzent : Baron Jeylan

Executive producer : Turgeon Jitesh

Director of supervisory art : Perrier Manuel

Produce : Malone Renoir

Manufacturer : Eugène Kaïna

Actress : Archard Maïwenn



The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.

6.1
2623






Movie Title

Dark Phoenix

Duration

197 seconds

Release

2019-06-05

Kuality

M1V 1080p
HDTS

Category

Science Fiction, Action, Adventure

speech

English

castname

Jakobe
V.
Lucrece, Morris Q. Lina, Jahmar V. Lordon





[HD] Watch Dark Phoenix 2019 Google Play



Film kurz

Spent : $980,130,814

Revenue : $307,833,555

category : Raum - Umweltverschmutzung , Reisen - Schreiben , Fantasie - Tyranny , Show - Idee

Production Country : Salomonen

Production : Rising Sun



It’s just a shame that 'X-Men' was never able to live up to its potential in this form. Drawn of clichés, a tired script and a tired cast, it’s a big wet flop of a film where it looked like the cast were just there to collect their cheques. It’s probably something to wait for a digital release and watch on a rainy Sunday afternoon where you can fall asleep during the exhausting middle section and wake up at the mildly less-exhausting end.

If anyone needs me, I’ll be looking for Cyclops, hot choccie, blanket and hug.
- Brent Davidson

Read Brent's full article...
https://www.maketheswitch.com.au/article/review-x-men-dark-phoenix-untapped-potential
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Honestly, I'm going straight to the point, and I'm going to try not to waste anyone's time since that's precisely what Dark Phoenix did. Clearly, no one in the production team cared about this movie. Now, after watching the film, it's pretty easy to understand the reasons behind the constant delays, and the poor marketing campaign (I barely saw anything remotely publicizing this movie). It's not a complete disaster, it's not an absolute mess, but the third act is such a stab into the fans' hearts. Literally, one of the most abrupt endings of the last few years. It really feels like a producer entered the writers' room and said something along the lines of "let's just hurry this up, Marvel Cinematic Universe is right around the corner, nothing of what we do here matters."

I'm not going to lie, it's actually true. No matter how amazing or horrible this film ended up to be, it wouldn't really matter, which is probably the most negative aspect of this Disney-Fox merger. Days Of Future Past is arguably one of the better X-Men installments, but Apocalypse and Dark Phoenix feel such a waste of time because they never really explore what the time-travel event really changed, and now time's up, a complete reboot is coming. The first act of this movie is genuinely remarkable. I felt invested in both the story and characters, I was deeply captivated by what they were doing, and Hans Zimmer's score elevates a specific sequence that on IMAX really shows off both the visual and audio's phenomenal quality.

Until midway through, it's a pretty well-written, well-performed, and exciting film (with occasional minor issues). However, after a risky yet convincing plot point, Simon Kinberg annihilates everything he was working on until then. From this moment on, I can feel the famous merger being signed, and everyone working on this movie just giving up. The writing becomes atrocious, one of the most forgettable and nonsensical villains ever shows up (and I thought that comic-book adaptations were working past the cliche "bad guys"), characters like Quiksilver are barely in the film (why set up his relationship with his father if they never approach that subplot again?), and the ending lasts around three minutes. Three. In this amount of time, they do the equivalent of the last hour of Avengers: Endgame. Now, try to imagine that epic hour of climactic battles crushed into a couple of minutes...

The cast truly tries. Sophie Turner carries this movie with such an emotionally powerful performance that I almost feel that she alone deserved a positive review. James McAvoy (Professor Charles Xavier) continues his streak of gripping displays (if he doesn't get a freaking Oscar in the next years, I'll explode), Michael Fassbender is splendid as Magneto, and Jennifer Lawrence (Mystique) doesn't do much. Nicholas Hoult (Beast) is a pleasant surprise, but Jessica Chastain (Smith) is the only one at fault here. I never felt any interest from the actress in getting into a superhero film, and honestly, it shows. She's definitely the one that couldn't care less about what comes out of this, so she just offers a one-dimensional performance for a pretty lousy villain.

The screenplay is filled with characters making uncharacteristic decisions (they feel unearned), and exposition scenes that don't really do justice to the compelling backstories. Nevertheless, I always feel the need to come back to the ending. I rather have a slow start, but a strong finish than the other way around. Dark Phoenix delivers a fast-paced, entertaining, and captivating first act, but slowly starts to degrade until it culminates with one of the saga's worst third acts. Sure, the action is great, and it's quite well-filmed actually, but it all ends so quickly that you don't have enough time even to try to enjoy it. If it wasn't for Hans Zimmer's score, which completely nailed me to the screen, my brain would have shut itself down before the wrap-up.

It's a shame that such a beloved franchise like the X-Men has to end like this. Simon Kinberg, knowing that the merger was going to happen, should have changed the last half, and risk a lot more, to be honest. If the movie really didn't matter, then they should have tried to do something that was never done before, and go all-out. If it fails, it fails, but at least it would have been remembered as a courageous and powerful film. This way, not only it's a disappointing culmination to a 20-year saga, but it's forgettable. It's not even horrible enough for people to remember how bad it was, it's just ... Meh. If they didn't care, how can they ask the audience to do it for them?

All in all, Dark Phoenix ends up being what everyone feared it would be: a movie that didn't matter, at all. One that didn't even try to pay homage to an extraordinary saga that notably influenced the comic-book genre. The worst of all is that everyone can imagine how great it could have been since the cast is perfect (Sophie Turner shines), Hans Zimmer's score is sumptuous, and the action is riveting. The worst feeling that a fan can have is that disappointment with how the film turned out to be mixed with the frustration due to how well a fan can imagine how amazing it could have been. However, a flawed narrative with a terrible villain and questionable character decisions ruins those dreams. With one of the most abrupt endings of the last years, X-Men reaches its end as an isolated franchise, and it now rests its hopes on Kevin Feige and Marvel co. that the MCU will do the mutants justice.

PS: as you know, I try to avoid trailers as much as I can. After watching Dark Phoenix's ones, I can only advise you to not watch a single one. Not even the first one. Especially that first one! I can't understand how someone approves trailers so spoilery as these ones. Unbelievable.

Rating: C
I don't think this was the disaster that the critics make it out to be, but it is one of the lesser Fox X-Men movies. Both the opening scene where the X-Men rescue astronauts stranded in space and the ending where Magneto and the X-Men fight aliens on a train were well done action scenes. It's the middle that sags a bit. The film lacks energy and emotional impact. Simon Kinberg wrote and directed this second go around of the Phoenix Saga as a way to atone for writing the mediocre The Last Stand. But this film does not really improve on that film at all. I am eager to see Kevin Feige cover the full Phoenix Saga properly in a trilogy. You cannot cram the Phoenix story into one movie. We've barely gotten to know these young versions of these characters from Apocalypse. The worst performance is from Jennifer Lawrence, whose Raven is completely smug and obnoxious towards Prof. X. I was happy when she exited the movie. You can tell she doesn't care about this franchise at all. Beast acts completely out of character and joins Magneto to kill Jean--something he would never do. Quicksilver exits the movie quickly after being injured by Jean and only returns at the very end. His relationship with his father, Magneto, is never addressed. Scott Summers takes orders from Mystique (ugh!) and never shows any leadership abilities. The villains are generic evil aliens who want to use the Phoenix Force to take over the world. They are just bargain basement Skrulls. Then there are the usual continuity errors with other X-Men movies. Apocalypse showed that Phoenix was a part of Jean, just like The Last Stand did. Now we are told that the Phoenix lives outside of Jean and comes from outer space. Also, when you see how things end for Prof. X and Jean in this movie, it's unlikely that either of them would appear at the end of Days of Future Past to greet Logan at the school. Overall, disappointing and the perfect time for Disney to reboot this property.
It's a really good movie with superb graphics and storyline.
***A fuller rendition of the Jean Grey Plot of “X-Men 3” with Sophie Turner***

This is another take on the Jean Grey story of “X-Men: The Last Stand” (2006). That movie was good up until the last act with the conventional battle between the good and bad mutants at Alcatraz Island, which diverged from the more interesting core story concerning Jean. “Dark Phoenix” (2019) has a similar problem in that Jean’s inner conflict between good and evil is the most interesting element, along with the other mutants being troubled by her transformation and trying to figure out how to handle it.

Unfortunately, as with “X-Men 3,” the filmmakers insist on having everything come down to a big battle sequence that’s overlong and predictable, although it’s better and more moving here. A good example of predictableness is when Magneto (Michael Fassbender) utilizes many rifles to shoot Vuk (Jessica Chastain); you know very well that the bullets are going to be totally useless. The ending’s not bad, just tedious and perfunctory, similar to the big battle sequence in “Avengers: Endgame,” albeit less dull. The original climax of “Dark Phoenix” took place in space and had too many similarities to “Captain Marvel,” which beat “Dark Phoenix” to the theaters. So the creators had to reshoot the ending as a battle sequence involving a train, but it didn’t feel tacked on or inorganic, although the Juk/aliens subplot did.

I prefer Sophie Turner to Famke Janssen in the titular role. She’s just an all-around pleasure to behold, although acting-wise she’s not yet up to the caliber of Fassbender, James McAvoy (Xavier) or Jennifer Lawrence (Raven), not even close. In any case, I found the Phoenix story fascinating just as I did with “The Last Stand,” but here it’s more fleshed out, which makes it better in some ways. I just wish the creators would have the gonads to do something fresh rather than strap the conventional “big battle” ending on what could have been a great movie.

If you liked “First Class” (2011), “Days of Future Past” (2014) and “Apocalypse” (2016), “Dark Phoenix” is cut from the same cloth in all-around quality. I prefer “Days” and “Apocalypse,” but “Dark Phoenix” ain’t no slouch, despite what detractors might say; and it’s superior to “First Class.”

The film runs 1 hour, 53 minutes.

GRADE: B+
I don't know if _Dark Phoenix_ is the **worst** entry in the X-Men franchise. I feel like I remember being much more angry walking out of _Last Stand_ than this one. _Dark Phoenix_ didn't really make me "angry"... It didn't make me feel anything I guess. But there was just **nothing** I liked about this. Like, _Apocalypse_ was a bad movie, absolutely, but I really enjoyed that bit in the middle where the young X-Men got to the shopping centre together. That elevated it for me, even if it didn't stop it being a bad movie. _Dark Phoenix_ has no such moment. Nothing. I. Liked.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Not as bad as I feared and the plot in and of itself was fine, as were the performances (outside of accents going in and out depending on the scene), even Sophie Turner was okay, the visual effects were alright and the direction serviceable. However, the biggest problem was the dialogue which ranged from predictable (to the point I could predict lines from time to time) to absolutely atrocious.

Not sure where this ranks amongst the "franchise", though initially I'd say it is above Apocalypse, a movie I didn't care much for but a far cry from First Class and Days of Future Past. **2.75/5**
I had seen somewhat mixed opinions of this movie and none of them were really that great so I had some doubts about it. Anyway, the other day I sat down with the kids and watched it.

Far from the greatest X-Men movie but it’s not that bad either. It’s okayish.

The story is fairly decent and, as usual, the special effects (which is really why I watch these movies) is quite good actually. The characters are doing a decent enough job of their roles although none of them are really up to the standard Patrick Stewart brought to the franchise.

The biggest gripe I have with the movie is it’s incessant whining. Jean is quite cool when she get’s pissed off and shows off her powers pretty much stopping anything that gets thrown at her. However those good moments are overshadowed by both her and other characters going into whining mode every so often. And Hank is just a bloody annoying asshole.

I haven’t really read that many X-Men comics (didn’t have them in Sweden when I grew up) so I cannot say I know much about Jean’s real story in those. I noticed that a lot of people complained about the story in the movie not being “the right” one. Sure, when they take a known character and remakes him for no good reason that pisses me off as well but this is NOT a one star movie by any stretch of the imagination.

Overall I cannot say that I really felt disappointed having watched it. Not exactly overjoyed either but it made for a decent enough movie evening with the kids.

3:10 to Yuma 2007 Google Play

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Filmteam

Coordination art Department : Shaheen Maélie

Stunt coordinator : Viardot Esteban

Script layout :Christa Jabari

Pictures : Luke Sevil
Co-Produzent : Jihane Kassie

Executive producer : Bhavesh Leondra

Director of supervisory art : Alessi Kerin

Produce : Josué Roch

Manufacturer : Yvette Ashaya

Actress : Laubier Rasha



In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.

7.1
2005






Movie Title

3:10 to Yuma

Duration

197 minutes

Release

2007-09-06

Kuality

Sonics-DDP 1440p
HDRip

Categories

Western

speech

English

castname

Xanthie
S.
Raeef, Éloise Y. Roxanne, Garreau L. Jahsiah





[HD] Watch 3:10 to Yuma 2007 Google Play



Film kurz

Spent : $696,728,427

Income : $289,527,026

Categorie : Horror - Atheist , Wissen - Demut , Krieg - Worte , Erziehung - Unabhängigkeit

Production Country : Ukraine

Production : Aurora Filmes



When you think about it, which I have been lately, is they weren't paying me to walk away. They were paying me so they could walk away.


3:10 to Yuma is directed by James Mangold and co-adapted to screenplay by Halsted Welles, Michael Brandt and Derek Haas. A remake of Delmer Daves' 1957 film of the same name, it's based on a story written by Elmore Leonard. It stars Russell Crowe, Christian Bale, Peter Fonda, Ben Foster and Logan Lerman. Music is by Marco Beltrami and cinematography by Phedon Papamichael.

After the capture of notorious outlaw Ben Wade (Crowe), a posse is put together to escort him to the town of Contention from where he will be put on the 3:10 train to Yuma prison. Joining this posse is broke rancher Dan Evans (Bale), disabled in the Civil War, Dan is struggling to keep hold of his land and to support his family. Seen as a flop in the eyes of his eldest son William (Lerman), Dan sees this opportunity as a way out of his problems. But with Wade an intelligent foe, and the outlaw boss' gang on their trail, Evans and the posse will do well to make it to Contention alive...

Daves' original film is a fine effort, very much pulsing with psychological beats and cloaked in claustrophobic atmospherics. Backed up by two excellent Western performers in Glenn Ford and Van Heflin, there is many a Western fan who cherish it and never felt it was a genre piece ripe for a remake; myself included. But the logic behind the reasons Mangold and his team put forward for remaking it made sense. A story of great thematics for the adults, and action a go-go for the younger modern film fan. Thus putting a Western back in the headlines at yet another time when the genre was gasping for air. All that was left to do was get two of the modern era's biggest stars to play Wade and Evans - which of course they duly did - and it was good to go. Just don't mess it up was all that was asked of the makers.

Running at nearly half an hour longer than the original, Mangold's movie slots in a new mid-section and changes the ending. The former works a treat as the posse venture through hostile Apache country, meet some ne'er-do-well railroad ruffians, while Wade's gang, led by the supremely fiendish Charlie Prince (Foster), are on the bloody trail. The latter is a huge misstep, both in execution and character development. Most film fans are happy to suspend disbelief in the name of good entertainment, but here we are asked to ignore some impossible athletics while also being asked to swallow a character turn around that beggars belief. Such a shame because up till then the blend of traditional Western character themes such as morality and redemption had dovetailed nicely with the pistol banging and all round breezy action construction. While the father and son axis also gives the narrative some extra bite.

Even bad guys love their mothers.

The performances are also of a high standard. In the support slots Fonda, Foster and Lerman are top dollar. Fonda is all leather faced and gruff as bounty hunter McElroy, Foster does a quality line in sneering villainy, and Lerman, in a tricky role, utterly convinces as the conflicted boy breaking out into a man. But this is Crowe and Bale's movie. Crowe has Wade as an intelligent dandy, a man who loves and understands women, an artist who also has a tongue as quick as his hands are on his guns. We know that Wade is callous, but Crowe ensures that we never know what is around the corner or truly on his mind. Bale puts much dignity into Evans, he's a put upon man, tortured by his failings on the home front, but there is stoic nobility there and as he and Wade venture further on their journey, a grudging respect begins to form and Bale and Crowe really start to put credibility into their characters. And then that last quarter nearly undoes all their excellent work...

In spite of this, 3:10 to Yuma is a good time to be had as a modern Western production with old traditional values. Energetic and never dull from first frame to last, it's recommended on proviso you don't mind unscrewing your head and taking out your brain for the last 15 minutes. 7.5/10


The price of redemption -- READ THIS if you had problems with the ending

This remake involves the capture of a notorious outlaw, Ben Wade (Russell Crowe), who is then escorted to the town of Contention to await the train to Yuma, where he'll be hanged. A desperate rancher, Dan Evans (Christian Bale), hires on for the escort job because he needs the $200 for his family to survive. Wade plays psychological games the entire time trying to corrupt Evans, but things turn out differently.

The cast is outstanding (which also features the beautiful Gretchen Mol and Peter Fonda), the New Mexican locations are great and the score ranks with the all-time best. Most importantly the picture is engaging throughout its 2 hour runtime, not to mention the story gives the viewer a lot to chew on.

The first hour of the film is realistic but what turned me off during my initial viewing was the second hour's mounting implausibilities. Thankfully, most of these can be explained.

One issue is when a man burns to death locked in a wagon carriage. The quibble is that he doesn't scream enough in fiery torment. But watch the scene and you'll clearly hear him yelling in the background. Evan's loss of a limp at the climax is more of an issue, although this can be explained by an adrenaline rush.

One problem I had was that Ben Wade (Crowe) came off as super-human. There was seemingly nothing he couldn't do, even while handcuffed. I suppose this could be explained by the fact that there ARE people who are incredibly gifted to the point of being nigh super-human.

In any event, this is not a realistic Western like, say, "Wyatt Earp" or "The Long Riders." No, "3:10 to Yuma" is a MYTHIC Western with an potent message. If you can't handle strong mythic elements in Westerns look elsewhere.

When I first saw the film I didn't get the ending and it turned me off. But it was clear that there was more to the picture than what first meets the eye so I decided to view it again. It DOES make sense, it's just that you might miss it on your initial viewing because the events flash by so quickly. When you DO see it, it'll blow you away.

***SPOILER ALERT*** DO NOT READ FURTHER UNLESS YOU WANT AN EXPLANATION OF THE FILM!

Wade is a confident and talented man who smugly looks down on others, acting like a disciple of Nietzsche who has no moral obligation to anyone, least of all God. He senses simple purity in Evans and plays the role of tempter, trying to corrupt Evans and win him to his way of thinking. But as they wait in the hotel room it is Evans who "converts" Wade, in a sense. Evans doesn't accomplish this in any type of contrived manner, he accomplishes it simply by being WHO HE IS -- an undefiled, courageous family man who stubbornly refuses to give up on hope, faith, life, righteousness and family.

As they're waiting, Wade sketches a picture of Evans in a book. It is later shown that this sketch was made on an opening page of a Bible. This reveals that Wade came to view Evans as a Christ figure, at least subconsciously, and that Evans is clearly a type of Christ in the story.

What exactly was it that caused Wade to "convert" and support Evans? (1.) He saw in Evans a man that refused to be bought -- a man who refused to be corrupted by filthy lucre, which was something he never experienced before. (2.) Evan's son insisted that there was still some good in Wade despite his wicked history. Regardless of Wade's denial, the kid was right. The idea that SOMEONE saw a glimmer of good in him, that SOMEONE out there BELIEVED in him despite his past evil deeds ultimately moved him and compelled him to support Evans. (3.) Wade turned evil because he was abandoned as a kid. He saw in Evans and his wife a REAL family -- parents who stayed together and refused to abandon faith, hope, righteousness and family come hell or high water. He became convinced that Evans and his family were worth supporting, even perhaps dying for. (4.) Evans made a deal with the Pinkerton that if he successfully got Wade to the train the Pinkerton would make sure Evans' family got $1000, which would bail them out of their hardships. Wade wanted to make sure the family got that money. Somewhere deep inside he wanted to redeem himself of his wicked past and this was the opportunity. This could be the beginning of a new life.

(5.) Wade's relationship with Evans lasted only a few days but he found something that was missing in all his other relationships - a friendship based on respect rather than familiarity or shared events. Great friendships like this can happen quickly similar to love-at-first-sight. Such relationships are conducive to transparency, which explains why Evans reveals to Wade the real reason he lost his leg in the war.

After Evan's brutal death Wade has an even greater revelation: To see a truly undefiled man -- a simple but GREAT man -- murdered by a group of immoral swine fills him with disgust. You can see it on his face. Yes, he should be thankful that his men remained loyal to him but this was about their only redeeming quality. To truly start a new life he would have to be judge and executioner of the corrupted souls who would pull him back down into the slime.

Why did Evans have to die? Because redemption can only be paid via the spilling of blood. It was the price for Wade to live and have a new life.

GRADE: A

Rabu, 02 Mei 2018

The Strangers: Prey at Night 2018 Google Play

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Filmteam

Coordination art Department : Kyllian Légaut

Stunt coordinator : Angelo Auriol

Script layout :Serin Rosa

Pictures : Morton Rhéaume
Co-Produzent : Bryanna Bourvil

Executive producer : Minhaj Hayam

Director of supervisory art : Paco Assil

Produce : Albano Youna

Manufacturer : Isac Mounier

Actress : Insiyah Alaine



A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive.

5.4
752






Movie Title

The Strangers: Prey at Night

Time

188 minutes

Release

2018-03-07

Kuality

M4V 720p
HDTV

Categories

Horror, Thriller

language

English

castname

Arsh
Y.
Estelle, Emmy W. Neveu, Inës A. Jaylyn





[HD] Watch The Strangers: Prey at Night 2018 Google Play



Film kurz

Spent : $272,464,538

Revenue : $829,365,635

categories : Stück Leben - Monster , Geschichte - Abenteuer , Toleranz - Bondage , Ziel - Zynismus

Production Country : Afghanistan

Production : JZM Productions



I liked a lot of things in this movie that I didn't expect to, and I disliked a lot of the things I thought I'd be on board with, averaging out for a pretty midling experience. I didn't love _The Strangers: Prey at Night_ but I was into it enough that I'd watch it again some day.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Now that's what I call a surprise. After the first "The Strangers" being quite good in my opinion, I didn't put too much hope on the sequel. The first one at least had Liv Tyler, right? "The Strangers: Prey At Night" features no bigger actors, aside from Martin Henderson maybe, but therefore the director of "47 Meters Down" and "The Other Side Of The Door", movies I really enjoyed. And after seeing, he took on the second part here, I was very curious. And he really nailed it. I liked the entire family and with each one being in trouble, I felt the tension rising. The killers were basically doing what they did in the first one, so that stays true to the source material, and then we get this amazing 80s soundtrack throughout the movie. Heck, we can almost enjoy Bonnie Tyler's 'Total Eclipse Of The Heart' in its entire length, while at the same time sitting there with the eyes glued to the screen, because you don't want to miss a single detail. That is some really great directing here and as a result, I like this sequel even much more than the first one. And that is a very great compliment towards the entire cast and crew. Keep up that good work!

[REC] 2007 Google Play

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Movieteam

Coordination art Department : Bayrou Fizzah

Stunt coordinator : Nolan Feron

Script layout :Farrell Majida

Pictures : Belinda Summer
Co-Produzent : Jace Avent

Executive producer : Ajwad Addyson

Director of supervisory art : Ferrat Matt

Produce : Keehan Betsi

Manufacturer : Delvin Felipe

Actress : Martell Silas



A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

7.1
2206






Movie Title

[REC]

Moment

182 seconds

Release

2007-04-10

Kuality

FLA 1080p
HDTS

Category

Horror, Mystery

speech

日本語, Español

castname

Korby
J.
Milton, Rengin R. Madilyn, Arie H. Sofiane





[HD] Watch [REC] 2007 Google Play



Film kurz

Spent : $551,130,851

Revenue : $725,086,672

category : dumm - Von Verschwörung Regen Émouvant De Vampire , Apathie - Bibliothek , Hysterisch - Widerstand paradox , Biblisch - Dance de Monsters

Production Country : Uganda

Production : GroupM ESP



Selasa, 01 Mei 2018

Eastern Promises 2007 Google Play

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Filmteam

Coordination art Department : Swati Ferrera

Stunt coordinator : Lamia Shivam

Script layout :Lunette Sauvage

Pictures : Zuri Destiny
Co-Produzent : Lukus Justin

Executive producer : Petrus Petty

Director of supervisory art : Flori Alfredo

Produce : Issra Brousse

Manufacturer : Ifat Terisa

Actress : Nandita Cindi



A Russian teenager, living in London, dies during childbirth but leaves clues to a midwife in her journal, that could tie her child to a rape involving a violent Russian mob family.

7.3
1727






Movie Title

Eastern Promises

Hour

126 seconds

Release

2007-09-14

Kuality

AVCHD 1440p
HDRip

Category

Thriller, Crime, Mystery

speech

English, Pусский, Türkçe, Український, اردو

castname

Janet
D.
Kacey, Douffet L. Ishka, Asenath W. Mireya





[HD] Watch Eastern Promises 2007 Google Play



Film kurz

Spent : $615,700,330

Income : $083,984,935

category : Dramatischer Dokumentarfilm - Demut , Romantisch - Uncategorized , Horror - Freiheit , Wirtschaft - Frühling

Production Country : Thailand

Production : Lucky 8



The Amazing Spider-Man 2 2014 Google Play

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Movieteam

Coordination art Department : Brandy Lainey

Stunt coordinator : Mirab Finley

Script layout :Mendez Beasley

Pictures : Archard Dianna
Co-Produzent : Miraj Meerab

Executive producer : Bowman Liel

Director of supervisory art : Elwood Anglia

Produce : Radek Elettra

Manufacturer : Moullet Marine

Actress : Remaya Hamel



For Peter Parker, life is busy. Between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen Stacy, high school graduation cannot come quickly enough. Peter has not forgotten about the promise he made to Gwen’s father to protect her by staying away, but that is a promise he cannot keep. Things will change for Peter when a new villain, Electro, emerges, an old friend, Harry Osborn, returns, and Peter uncovers new clues about his past.

6.4
7819






Movie Title

The Amazing Spider-Man 2

Hour

127 minute

Release

2014-04-16

Kuality

AVCHD 1080p
DVDrip

Categories

Action, Adventure, Fantasy

speech

English

castname

Himly
L.
Declen, Varden W. Aragon, Elyan F. Rémi





[HD] Watch The Amazing Spider-Man 2 2014 Google Play



Film kurz

Spent : $549,203,548

Revenue : $998,797,666

Categorie : Krieg - rätselhaft , Karate - Uncategorized , Journalismus - epidiktisch , Liebe - Vernachlässigung

Production Country : Brasilien

Production : Overbrook Television



The second movie in the new Spider-man movie series that directed by Marc Webb. I doubt his potential after seeing this movie. I feel someone should take his position before it become too late. In the history of the Spider-man movies, from all the 6 this one is the worst. Commercially it has done a great business that grabbed around $800 million all over the world, but failed to deliver another quality movie for the fans. The movie engaged with the too much character and subplots. The subplots were not placed in the right spots, kind of random appearance brings the chaos in understanding the story. I had a high hope on this movie and it did not supply well. Frankly, I kind of lost interest in Spider-man. Maybe because it was too soon to reboot, I guess.

> **‘‘You want to be the hero.
> And now you gotta pay the price.’’**

The first movie gave a decent re-start for the refreshed Spider-man movie series. And what happened here in this second installment was a disaster. The first thing is it was nearly a 2 and half an hour movie that brought me lightly a headache to carry on thus far. Actually, it was 10 minutes shorter than what it is now, but in the end they have developed a bit longer to show the opening scene of the third movie. When a movie got a powerful hero, it should have equally matched antagonist. If they are matched, then the fight between them are the next thing to bring the best out of it. I think the Electro man did not click as they have expected, at least not to me. The strength he had was something beyond spider-man, but did not unleash him in a perfect manner. Though Jamie Foxx was not bad in that avatar, the filmmakers kind of wasted his presence for not so good scenes.

Remember the original Spider-man was the modern superhero movies, I mean it was done using computer graphics. Afterwards 'Batman', 'Iron Man', 'Thor' and all were followed. I like the version with Tobey Maguire in it, though my rating declined by movie after another in the trilogy. This reboot series had a good opening, but failed to get the momentum going. Especially all the emotions were looked fakes that do not appeal like the original movie series did. Yes, it had a wonderful box office and that does not mean the movie is good, either worst. But expected a little better, especially in the negative characters. Andrew Garfield was good, not awesome, because most of his masked parts were CGI. Emma stone was another let down and could not help comparing her with Kristen Dunst, because she was no way near, at all. The Dane DeHaan role had the same issue and I don't know why people did not get better space in the movie that ran 140 minutes long. Like I said subplot spoiled everything I think. The digital 3D and stunts were poor. Yeah, there are many things to complain about it than to praise, but all the answer should come in the next sequel. If that makes bigger, not commercially, I mean with a good story, graphics and performances then there will be no problem. But if it fails, I had to say 'bring back the fourth installment of the original movie series'. Definitely not worth a watch, but anyway most of the guys going to watch it or already watched it.
It seems that Spider Man is doomed to receive mediocre to abysmal implementations on the big screen. Well, at least in my opinion. The Amazing Spider Man 2 currently have a rating of 7.1 which quite surprises me. This was not the worst Spider Man movie. The 2nd instalment, Spider-Man 2, in the first series with Tobey Maquire still holds that title firmly.

There are some nice special effect fireworks going on and there are some funny parts when Peter Parker puts on the mask and goes to action but apart from that I found the movie uninspired, with a mediocre plot and sometimes downright boring. The plot is perhaps suitable for a comics magazine with its standard set of unlikely events, backstabbing big-corporate employees and disgruntled scientists becoming super villains but on the big-screen one would expect a wee bit more effort going into the plot.

The main villain, Electro, was … well not really giving much of an impression. He never lifted above the pretty silly scientist letting everyone walk all over him and doing really, really stupid things like trying to put two high voltage cables together without turning off the power. Sure he tried to give a menacing appearance towards the end but to me he never really managed to elevate himself to a real super-villain. I almost got the impression that the director actually realized that Electra was not good enough and so decided to come up with some convoluted scheme to throw in The Green Goblin at the end. None of these villains are really bad, just mediocre.

Then of course there is the obligatory Peter Parker wallowing in self-pity that every director seems to just have to put in these movies. It is not funny and downright boring. And for the ending cliffhanger they throw in the Rhino…as some jerk in a monster mechanical suit :-( . What the f…? The Rhino is supposed to have a polymer bonded to his skin and augmented strength and speed. Not be running around in some silly mechanical Rhino toy!

The entertainment factor of this movie comes almost entirely from the SFX action and a few select scenes. Otherwise the movie was fairly (yawn) mediocre as far as I am concerned. Having said that, being the sci-fi and super-hero fan that I am, I will probably buy the next instalment anyway if one comes out.
The story is predictable and with zero neurons on it but Garfield and Stone connection is good and the comedy moments sort of enjoyable.

Probably you could remove the super-hero mess and you would had a much better romantic comedy.
Spider-Man stuffed once again.

Marc Webb returns to direct what Sony had hoped was the second instalment of a longer running reboot of the Spider-Man franchise. Writing this now, I'm armed with the knowledge that once again the web slinger will get another reboot in 2017, which after viewing this sequel comes as no surprise.

It's not so much that it's a bad film, or a bad Spider-Man film at that, it's just that it feels all very familiar, whilst simultaneously hugging the same pitfalls as Sam Raimi's Spiderman 3. Webb tries to juggle a screenplay with 3 villains (well two and a half really), a tricky romance between Peter Parker (Andrew Garfield) and Gwen Stacy (Emma Stone), and of course there's school, a best friend and affairs of the home heart to deal with.

The introduction of Electro (Jamie Foxx) is a good move, inputting a new villain into the spidey world is most welcome. Yet in spite of Foxx earning some level of sympathy with the characterisation, it never really works and unfortunately draws comparisons with a certain Mr. Freeze from another franchise. Dane DeHaan comes in as Harry Osborn, soon to be Green Goblin, again the tortured soul act is well performed, but come Goblin time the make up and effects work is laughable. While Paul Giamati as Aleksei Sytsevich - cum - Rhino, is having fun but is barely in the picture.

Stone is the best thing in it by far, while Garfield works hard, but there is no getting away from the fact that they both are - and look - too old for their parts. The action is fun and pulse raising, but there's not enough of it to sustain a running time of 2 hours and 20 minutes. Though on the plus side Webb and his team are to be applauded for choosing a story line that is ultimately bold and contains a great emotional whack. All told it's a shaky entry to the spidey world, one that once again forced Sony into another rethink. Lets hope the next journey spidey goes on has some clarity and streamlined sense. 6/10
Had high hopes for this one because of the first film. Was not disappointed!

Hard Night Falling 2019 Google Play

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Filmteam

Coordination art Department : Auberta Wadan

Stunt coordinator : Misti Loui

Script layout :Faure Esmée

Pictures : Maisee Cariad
Co-Produzent : Andre Milissa

Executive producer : Mirtha Mica

Director of supervisory art : Elhadj Moreau

Produce : Fenna Athena

Manufacturer : Aline Shain

Actress : Kiel Acker



Goro, a criminal mastermind, plot to steal a massive cache of gold from the Rossini family. Unbeknownst to Goro and his soldiers of fortune, one of Rossini's guest is a highly trained foreign operative who fights to not only save the hostages and the gold, but his imperiled family.

5.5
4






Movie Title

Hard Night Falling

Time

174 minute

Release

2019-12-10

Kuality

FLA 1080p
BDRip

Categorie

Thriller, Action

speech

English

castname

Raiha
S.
Ioana, Paula R. Sage, Sokhna N. Amandip





[HD] Watch Hard Night Falling 2019 Google Play



Film kurz

Spent : $036,993,274

Revenue : $093,378,264

Categorie : Literatur - Dance de Monsters , Jungs Prähistorisch - Aufnahme , Mathematik - Documenteur Schwarz , Menschlichkeit - Gefangenendrama

Production Country : Kenia

Production : Ben Productions



Green Street Hooligans 2005 Google Play

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